Anri Sala was born in 1974 in Tirana (Albania). He is currently living in Berlin.
Through a wide variety of media (film, photography, installation, performance), Anri Sala has explored the density of language and history since the mid-nineties. Based on daily situations as well as historical figures and events, his works carefully articulate images, sounds, and the space of their presentation to make viewers experience perceptual ruptures and conceptual paradoxes, untying the knots of our conventional logic, in the manner of a kôan.
His work has been the subject of solo exhibitions at Bourse de Commerce, Paris (2023); Kunsthaus Bregenz (2021); Buffalo Bayou Park Cistern, Houston (2021); Centro Botìn, Santander (2019); Mudam, Luxembourg (2019); the Castello di Rivoli Museo d’Arte Contemporanea, Turin (2019); Museo Tamayo, Mexico City (2017); the New Museum, New York (2016); Haus der Kunst, Munich (2014); Centre Pompidou, Paris (2012); Serpentine Gallery, London (2011); Museum of Contemporary Art North Miami (2008); and ARC, Musée d’Art Moderne de la Ville de Paris (2004). He has also participated in major group exhibitions and biennials internationally, including the 57th Venice Biennale (2017), dOCUMENTA (13) (2012), the 29th São Paulo Biennial (2010) and the 4th Berlin Biennale (2006). In 2013, he represented France in the 55th Venice Biennale.
His work is represented by Galerie Chantal Crousel (Paris), Marian Goodman Gallery (New York, Los Angeles), Hauser & Wirth (Zurich), kurimanzutto (New York), Esther Schipper (Berlin), Galeria Alfonso Artiaco (Naples) and Galerie Rüdiger Schöttle (Munich).